Film sets
My photographs on film sets culminate into one of the largest parts of my archive. It’s one of the most straightforward ways that I can make images: the light is already there, the subjects are receptive, and the scene is set. Of course there are limits: I can’t stand in certain places, and I have to be extremely quiet, but within those parameters, I feel free.
Photographing usually feels piercingly singular, like a strictly solo endeavor. On films sets, however, I feel apart of a team, it feels like we’re all together in some familial way.
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And it’s nice to both feel like you have co-workers and complete control over what you’re doing. The crew interests me for photographs as well, because it’s beautiful to see them work, to see the film come together.
